South America 2019

Lima, Peru – Day 1 (2019)

     We pulled into the harbor in Callao, the port for Lima, around noon on January 15.  Callao is an old city in its own right, having been founded in the early 16th century and served as Spain’s primary west coast treasure port for quite a long time.  The Spanish retreated into the fort here (which is still there, though we didn’t see it) near the end of the war for independence in the 1820’s.  Today it is a commercial port, although we passed some fishing boats on our way in.

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     Lima is by far the largest city in Peru with some 11 million inhabitants.  It was founded in 1535 by Francisco Pizarro who planned the street layout himself.  You can see our last visit here in 2012 here:

With half the day gone before we arrived we decided to take an excursion to see the Plaza Mayor, also known as the Plaza de Armas, the historic center of the city.  The bus trip through Callao was unexceptional (apart from the dense traffic), but we did get a few random pictures through the bus window on the way.  In Peru one often sees fully inhabited buildings with rebar sticking out the top like there is more to be built.  This is a graphic example of the law of unintended consequences:  because unfinished buildings are not taxed, people often leave their buildings visibly “unfinished.”

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     Our route through Lima took us through two important plazas.  The first was Plaza Dos de Mayo, named after an important battle in 1866.  It is situated near what was once the city wall and in the center is a statue topped by a figure of Nike, created in France in the 1870’s.  Its outstanding characteristic upon passing through was the bright blue buildings.

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    The second square was Plaza San Martín, named for General Jose de San Martin, liberator of Peru in the 1820’s.  The plaza was dedicated in 1921 on the 100th anniversary of Peru’s independence.  In the center is an equestrian statue of General San Martin.  On one side of the square is the venerable Hotel Bolivar, which has hosted numerous important diplomats and movie stars.  The Rolling Stones were thrown out of this hotel for misbehavior.  Imagine!

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     We exited the bus and walked to an imposing Franciscan monastery called Basílica y Convento de San Francisco.  This church is famous for being about the only building in central Lima to survive the devastating earthquake of 1746.  We toured the museum in the convent but not the church itself.  Photography was not permitted inside, which is unfortunate because it was filled with beautiful 16th century Spanish & Moorish tile work, as well as a number of paintings and frescoes of similar age.  We did not get to tour the catacombs, which are famous for the elaborate designs made from the bones of some 70,000 people that were buried there.

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     We walked from the Convent of San Francisco to the Plaza Mayor.  It was not far & we passed the church of Nuestra Senora de la Soledad on the way.


     We entered the Plaza Mayor by walking past the Archbishop’s Palace, notable for its beautiful carved cedar enclosed balconies.  Housing the residence and offices of the Archbishop of Lima, the current building was built in 1924 on land set aside by Francisco Pizarro in 1535 for the residence of the head priest of the city.

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     The Plaza Mayor or Plaza de Armas is the center of Lima and was the first part of the city.  We have read that Francisco Pizarro actually paced out the outlines of the square himself, but whether this is true or not he certainly was the one who selected the site & determined its dimensions.  His house was located on one side of the plaza.  In 1821 General San Martin declared Peru’s independence in this square.  It is a beautiful park-like plaza still today.  In the center is a fountain erected in 1651.

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    Next to the Archbishop’s palace is the Basilica Cathedral of Lima.  Begun in 1535 and originally completed in 1649, it has had a number of renovations since after damage by earthquakes. Francisco Pizarro (who else?) laid the first stone and carried the first log on his shoulders.

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     Inside the cathedral seems quite huge and elaborately decorated.


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     Chapels line both sides of the cathedral.  One contained a statue of Mary contributed by the King of Spain.  Another paid homage to the holy family.  Many of these chapels have been destroyed several times by earthquakes and rebuilt.  A plexiglass cover allowed a view into the crypt, where thousands of remains were found.  And there was a beautiful pipe organ in a loft along one side of the room.

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     The first chapel on the right as you enter the cathedral houses the tomb of Francisco Pizarro.  Pizarro was assassinated here in 1541 by relatives and followers of his erstwhile partner, Diego de Almagro. He was apparently interred in the crypt but in the 1890’s a body identified as his was put on display in the cathedral.  It turned out not to be Pizarro, for in 1977 another body was found in the crypt labeled as him and forensic analysts determined this was the real thing.  These remains were moved to this tomb in 1985.  There is a skeleton on display in the chapel, but we were told that this is a reproduction and the real skeleton is in the tomb.  Some of the walls are covered in nice mosaics,.

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     On the north side of the Plaza Mayor is the Government Palace, containing the residence of the president and the executive offices. It sits on the spot where Francisco Pizarro built his governor’s residence in 1536, but has been expanded and rebuilt after fires and earthquakes a number of times since then.  The current building was completed in the mid 1930’s.  Before Pizarro this was the site of a huaca containing a shrine to the last local indigenous ruler.  We did not get to enter this building.

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     We left the Plaza to the left of the Government Palace and walked a couple of blocks to meet the bus.  From that spot we could see the pinkish tower of the Iglesia de Santo Domingo & a large shopping arcade covered with a glass roof.

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     From here we drove through Lima’s incredibly congested traffic to Miraflores, a wealthy neighborhood situated above an ocean cliff.  We visited the Parque del Amor, a popular hangout for young couples.  Apparently this has been known as a place for young lovers for a number of decades, but now there is in the center a large statue of a couple kissing called “El Beso.”  A brightly colored mosaic wall runs near the edge of the cliff, reportedly inspired by the work of Gaudi in Barcelona.  Paragliders pass above the cliff in a never ending parade. The park also has many beautiful flowers.

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     This evening after dinner there was a folkloric show with a Peruvian music and dance group.  They were very colorful & very good.  A lot of energy was expended in the performance of several representative Peruvian dances in very colorful costumes.  Here are excerpts from the first three dances:

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     Then the drummer, who also appeared to be the bandleader, came out front for a solo spot drumming with his hands on a box on which he sat.  His fingers really flew and it looked like his hands should be very sore afterward, but he resumed the drum chair for the rest of the performance without any apparent detriment.

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     Then there were two more dances to end the performance.

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     After the show we went to bed to rest up for another day in Lima tomorrow.

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Trujillo, Peru (2019)

     (Note:  This is being uploaded from Antarctica.  When we were here in 2012 there was no internet in Antarctica, but its been much better this time so we will give it a try.)

    We arrived on the morning of January 14 at Salaverry, the port for the city of Trujillo.  It was a gray day & Salaverry seemed a pretty gray place.

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     Trujillo was one of the first Spanish towns in this area, founded in 1534 on the orders of Francisco Pizarro.  It is named after his home town in Spain.  But before that this area was home to several indigenous civilizations, archaeologists having found artifacts dating back some 7,000 years.  Today we visited two of the most important archaeological sites as well as the city of Trujillo itself.  We visited these sites the last time we were here, in 2012, and you can see that visit here:

    Our first visit today was to the center of the Moche culture that thrived in this area from 100 to 750 AD.  Named after the Moche river that runs through here, the Moche people left us some amazingly sophisticated ceramic art.  They worshipped the sun, were not warlike, and developed irrigation to the point of being able to support a sizable culture in an area with very little rainfall. 

     The Moche capital was situated between two large temples at the base of a volcanic mountain called Cerro Blanco.

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     Our first stop was at Huaca del Sol (temple of the sun).  In its heyday this was the largest adobe building in the Americas, built up in layers over the years with some 1.3 million adobe bricks.  Today it is only about a third of its original size because the Spaniards diverted the river to intentionally erode the temple in the hope that gold and silver items would be uncovered.  They weren’t, but most of this huge building is now gone anyway.

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     Huaca del Sol has not been excavated yet so all we had was an outside view.  We proceeded across a large open space that was once the city to Huaca de la Luna, another temple that has been extensively excavated.  From there we had a nice view of Huaca del Sol with the city of Trujillo in the distance behind it.

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     Our guide explained that the Moche people built their temples in layers.  If the current layer was damaged by earthquake or the elements they would cover it up with mud (adobe) then build a new temple on top of it.  The adobe bricks have makers’ marks on them indicating which village produced them and there are vertical lines between sections containing different villages’ bricks.

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     The first area we came to was the site of human sacrifices.  A pile of huge boulders moved down from the mountain above was where the victims were killed, then thrown down to the ground below.  A number of skeletons have been discovered here.  Nearby is a spot where the priest would stand on a platform with the sacrificial victim kneeling on a raised stone below.  We aren’t sure whether they were killed there or a ceremony preliminary to sacrifice on the rocks was conducted here.

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     Inside were some walls containing amazingly well preserved colorful decoration.  Several include the face of their primary god, Ayapec, nicknamed “the decapitator” by archaeologists because he is often depicted holding a blade in one hand and a severed head in the other.  Rick thinks he looks a little like Homer Simpson, dressed up for Halloween with fake hair and teeth.  Note that the colors in these and many of the other pictures from Huaca de la Luna are a little more faded in real life than depicted here.

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     We walked up to the top of the Huaca, where we passed a platform where the king would hold court, then down into the largest courtyard with two huge walls decorated with murals.  On the largest wall the murals are in several layers.  All of this artwork survives because the Moche later covered it up when expanding the temple.

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     The bottom layer of the wall paintings depicts the sacrifice victims, roped together at the neck, being led to the place of sacrifice.  Sacrificial victims were selected through ceremonial mock combat in which the object was to seize the opponent’s helmet rather than to kill him.  The losers would be sacrificed, but the Moche may have viewed the losers as the real winners because they were at the center of an important ceremony while the winners were barred from the premises while it took place.  The second row probably depicts priests holding hands for some ceremony, perhaps a dance.

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     Above the dancing priests, on the third level, is a series of spiders, many with a head on each side.  Above them are a series of depictions of the decapitator god holding a head in one hand and a blade in the other, and above that is a series of pictures of a mythical beast, half reptile and half feline.  Above that are serpents.  The last three are not in good enough shape for a lay person to recognize.

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    On the left side is a wall that looks like a gate (it’s not) called the Mural of the Myths.  It is a very complicated jumble of symbols, looking perhaps a little like something by Hieronymus Bosch. We don’t know what most of this represents, but our guide pointed out an image of a headless body being pecked by a bird that we think has something to do with human sacrifice.

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     Leaving the Huacas we drove into town for a (too) quick visit to the Plaza des Armes.  Every town in South America has a Plaza de Armas in the center, so called (we think) because this is where the soldiers or militia trained.  Trujillo was the first town in Peru to declare independence from Spain, in December of 1820, and in the center of the plaza is a large monument to that erected on the 100th anniversary.  The sculpture at the top had to be altered immediately after being installed.  The legs were shortened a bit to make it balance better atop its tall plinth, and the ladies of Trujillo objected to the statue’s uncovered sex organs so they were removed (ouch!). The plaza is nicely landscaped with bright flowers.

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     Trujillo’s bright yellow cathedral was built in the mid 17th century.  The façade is very nice and unusually simple but unfortunately we did not have a chance to go inside.  On the other side of the Plaza was a house with a particularly striking wood porch on the second floor.

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     We had a tour of one of the old houses that line the square (we would have preferred the cathedral).  Casa Urquiaga was built in the 18th or early 19th century, as were most of the old houses on the Plaza.  Simon Bolivar stayed here in 1824 when conducting his campaign in support of Peruvian independence from Spain.  The desk he used to write his declaration of Peruvian independence is still on display in this house.  The house has several courtyards and a lot of period furniture, if you like that sort of thing.

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     After visiting the case we left the Plaza de Armas to head for our next stop.

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     Chan Chan was the largest pre-Columbian city in South America.  The Chimu people who built it as the capital of an empire that stretched along the Peruvian coast may have arisen from the remnants of the Moche civilization that collapsed (for unknown reasons) about 100 years before they appeared.  Beginning around 900 AD the Chimu empire lasted until they were defeated by the Incas in the 1470’s, only some 60 years before the Spaniards arrived.  We hear mostly about the Incas ruling this part of South America, but their empire really lasted less than 150 years altogether before being destroyed by the Spanish led by Francisco Pizarro.

     Chan Chan was a bustling city of 60,000 to 100,000 at its zenith, spreading out for about 5 square miles.  It was built entirely of adobe with 60 foot walls.  The Chimu were a sea-going people and their walls are decorated with stylized representations of fishing nets, sea waves, fish and other wildlife.

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     We visited an excavated complex called Nik-An.  While Chan Chan was a living city when the Spanish arrived it faded after the establishment of Trujillo. Archaeological excavation began in the 1960’s and a good deal of imaginative but unrestrained “restoration” ensued.  While archaeology is conducted much more carefully today, it is difficult for the lay visitor to tell what is original and what is modern reconstruction.  Still, according to our guide, must of what is in Nik-An is real.

     The main area is where the king received delegations from across his empire who provided the food and other materials needed to support this large city.  The king was thought to have access to the gods, so delegations bearing offerings were frequent to ensure that the gods looked favorably on these outlying areas.  The walls in this area were originally about 35 feet high, and there are niches in them that look like benches but were actually shrines containing statues of divine beings.

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     One reason that so much of Chan Chan still stands is the method of building walls they developed to withstand earthquakes.  While the walls are covered with smooth finishes, inside is a pattern of adobe bricks with spaces built in to allow some movement without destruction of the wall.  Around the palace complex are the remains of numerous storehouses where the food brought by the delegations was kept.

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    As we left Chan Chan we came across a sleeping Peruvian hairless dog, a breed that goes back at least as far as the Moche civilization and is today the only recognized breed of Peruvian origin.  They have hair only on their tails and heads (looking like a Mohawk).  Not the most beautiful dogs we have ever seen!

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     Our last stop of the day was at Huanchaco Beach, a popular surfing spot that 50 years ago was a small fishing village.  For some 3,000 years fishermen here have been plying their trade on “caballitos de totora,” small boats made of reeds.  The fisherman sits on top of the boat, rather than inside it, similar to riding a horse (thence the name).  Two people man the boats, one in front to paddle and one in the seat in back to manipulate the fishing nets and gather the fish into the boat.  The boats are built by the fishermen and last 6 to 9 months, from what we were told.

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     Across the street from the beach we had lunch in a very good restaurant called El Sombrero, serving a nice local beer called Cusquena.  Rick had roast cabrito (kid), which we haven’t eaten since our honeymoon in Monterey, Mexico, and Mary had prawns & rice.  We sat at the edge of the veranda with a fine view of the water and the stacked caballitos on the beach.

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     We drove back to the ship, passing a huge Moche-looking sculpture in a traffic circle.  Then, after a final look at the birds and boats at the port, we sailed away toward Lima.

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Manta, Ecuador (2019)

     We spent January 12 in Manta, Ecuador.  Ecuador is named for the Equator, which runs right through it.  Consequently, its climate is pretty much the same year round, and usually pretty hot.  Manta is the fifth largest city in Ecuador and the second largest port.  We visited here in 2012 and you can view that visit here:

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      Manta produces more tuna per capita than any other city in the world.   On our last visit we were fortunate enough to have a tuna boat docked next to us on which they were actively unloading their catch.  It was fascinating to watch.  No such luck this time, as we had tuna boats docked on the other side of our pier but no fish in sight.  They were loading clean nets, though, for their next outing.  The importance of tuna in this city is shown by the large statue of a tuna in the traffic circle where the pier meets the main street.

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     We spent most of the day on an excursion that took us to a museum of sorts and three craft workshops.  The museum was mostly devoted to displays showing how the indigenous people in this area lived.  This has been a thriving fishing area since about 500 A.D., but the Spanish conquistadors arrived in 1534 and within two years the indigenous population of about 20,000 had been reduced to about 50.  Sadly, this is the usual story and it is not only about Spanish brutality, since the people living in America had no defense to the European diseases the Spanish unknowingly brought with them.

     After the museum we drove up on a mountain to the village of El Chorrillo.

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We visited a workshop there that makes sisal bags from the leaves of the Agave plant that grows in the area.  There was once a thriving market for these bags, used for carrying coffee and cacao by local farmers.  But the development of agribusiness and synthetic materials has undermined that.  We watched them derive fibers from the Agave leaves, mainly by pulling them apart, then refine the fibers by combing them.  They spin the refined fibers into thread and weave them into cloth.

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     We drove then to a place called Ciudad Alfaro near Montecristi.  Montecristi is a mountain town just a few miles from Manta that was founded in the 16th century by refugees from Manta seeking shelter from pirate attacks on the coast.  It is famous as the home of Panama hats, which are actually made here and not in Panama.  They acquired the name because most international sales are made in Panama.  They were popular among US gold rush prospectors who came through Panama on their way to California and with workers on the Panama Canal.  Teddy Roosevelt’s photo wearing one when he visited the canal construction was widely published in the U.S. and greatly increased their popularity. 

     Made from the Toquilla Palm, these hats are strong, lightweight and breathable, very practical for warm weather.  A well made hat can also be rolled up tight (they are often sold rolled up into a small wooden box) and will regain their shape when unrolled.  They come in many grades of quality, from a standard hat for about $35 to a super fine hat that may sell for $1,000 or more. 

     We were told that true Panama hats are only made in Montecristi (and should say so on the inside hat band). Toquilla palm cultivation has been tried in other locations but only the ones that grow here produce the right kind of fiber.  At one time there were hundreds of weavers of these hats, but the work is  backbreaking and today there are fewer than 50.  The pictures below show women weaving hats in the traditional way and they bend over their work like this for some four hours at a time before a break.  It’s hard to imagine how they keep all of the small straw fibers sorted out, much less weave them together in tight stitches for hours on end.

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     Ciudad Alfaro is an area showcasing many local crafts and it has a museum and we understand that legislators sometimes convene here as well.  It is high on a cliff.  Eloy Alfaro was president of Ecuador for a number of years around the turn of the 20th century.  He was an important reformer and is much revered.  We came across a statue of him later in the heart of Manta.

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     Our last visit was to a tagua nut workshop.  Tagua nuts come from the Ecuadorian Ivory Palm.  They are brown on the surface and white inside and are very hard, almost like stone.  Often called ‘vegetable ivory,” tagua nuts are carved into jewelry, figurines and buttons.  At one time tagua buttons were exported worldwide and commonly used on shirts, suits and coats, but the development of good plastic buttons dried up this trade.

     When we arrived at the workshop thousands of these nuts were spread out on the grounds to dry in the sun.  They are so hard that our bus just drove over them without harming them.

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     Inside was a demonstration of how the nuts are refined and carved.  The tree fruit is large and contains many nuts.  One worker sliced a nut into rounds for buttons (using his bare fingers on a spinning saw) and then punched out a round button shape.  Then we watched an artisan make a small rhinoceros out of a single nut, using his bare fingers (he still had all of them) to push it against a spinning saw to carve each feature.  There was also an opportunity to buy some of his work (of course), much of which really was quite beautiful.

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     On the way back to the ship we passed a makeshift boatyard on the beach where fishing boats were being repaired.  The scaffolding is bamboo, just like we saw in Hong Kong last year.

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     After returning to the ship we rode the shuttle bus into town to visit the craft market set up in a central square.  It was bustling with vendors selling jewelry made from shells, sculptures made of tagua nuts, Panama hats, t-shirts and other crafts and souvenirs. At the back of the square was a statue of Eloy Alfaro, who we had run into earlier in Ciudad Alfaro.

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Fuerte Amador, Panama (2019)

Welcome to . . .6. Fuerte Amador

     The ship was anchored near the cruise port of Fuerte Amador, comprising three islands off the coast of Panama City.  We had seen the major sights of Panama City on two previous visits so we decided to tender in to Flamenco Island in Fuerte Amador and walk down the causeway to Panama City as far as the Gehry museum.  You can see our visits on previous Panama City visits to the colonial city, the ruins of the original settlement, the canal observation building and other spots here:

     The causeway that connects Fuerte Amador to the mainland was built with the rocks and dirt removed from the Culebra Cut when the Panama Canal was dug through the continental divide.  It forms a breakwater protecting the Pacific gateway to the canal from filling up with silt.  It is about three miles long.37a. Panama Canal (RX10)_stitch

     The causeway is very nicely maintained.  There is a road down the middle with pedestrian walks along side.  Benches line both sides, with alternate benches facing each way.  And there are a lot of very colorful flowers.  Not to mention the sea views along the rocky shore on both sides.

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     We did not go into the museum.  It’s not a typical museum with artifacts, but with exhibits explaining and promoting biodiversity.  That’s a good cause, but not really something we were anxious to see.  And in Panama they have an irritating practice of charging foreigners almost twice as much as locals for admission to places like this, so it would have cost more than $30 for both of us to enter.  Instead, we walked around their beautiful grounds, full of colorful flowers and trees, including a humongous fig tree shooting down new trunks all around.  They said these new trunks provide additional water, but also provide natural supports for spreading branches wider and wider.

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     A nice fellow came along and took our picture in front of the museum, after Mary had taken one of Rick.  We sat down on a bench before starting back for a long look at Panama City and especially the colonial part of town.  We could see the church towers in the old town clearly from where we sat.

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     On the walk back we saw more flowers, including blue clematis that was being grown over large metal trellises.  We also saw a number of birds, including what looked like cormorants and a scary bird that looked like a vulture, with a bald red head.

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     As we neared Fuerte Amador we passed a facility of the Smithsonian Institution, homeboys (and girls) of ours from Washington, D.C.  Its main purpose is studying marine life, but it has a wildlife center open to the public called Punta Culebra.  We had a pizza at a restaurant in Fuerte Amador then caught the tender back to the ship.

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     Tonight was Panama Hat night, when HAL gives everyone a hat to wear to dinner.  Amazingly, this year’s hat fit Rick (they are usually way too small) and the hats for the women were unusually nice.  Of course the ship’s penguins were fully dressed for the occasion.

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     Panama City glowed white in the late afternoon light as the ship prepared to depart.  We also took a last look at Fuerte Amador in the setting sun.

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Panama Canal (2019)

     We approached the entrance to the Panama Canal just before sunrise on January 9.  This was our fourth trip through the canal, which is always interesting even if not as thrilling as the first time through.  You can see the pictures and commentary from our earlier visits here:

     There is a lot of commentary about the canal and its history in the prior postings, which we will try to avoid repeating too much here.  The Gatun locks take the ship up 3 levels in a row from the Caribbean side.  It’s always a nice view in the early morning light, but unfortunately this time it was raining off and on. 

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     HAL serves “Panama Rolls” on deck as we enter the canal (they often turn up under different names, like “Waitangi Rolls”, when we have an interesting sail-in).  We had one, but then went to breakfast while in the locks.  Afterward we passed the Gatun control building and exited the upper locks into Gatun Lake.  The “mules,” metal cars on rails, attach ropes to the ship & are responsible for ensuring the ship doesn’t touch the canal walls, which are very close.

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     The lock doors have walkways at the top, permitting workers to go from one side to the other.  A horn sounds before the doors open so they will know not to venture across.

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     A good part of the day is spent traversing the lake.  The lake was created during the building of the canal by diverting a river.  The canal’s locks have no pumps to move the water in and out, it is all done by gravity and very clever engineering that directs the natural water flow from higher ground.  The water in the locks is fresh water from the lake and river, not salt water from the sea.  The shore around the lake and on the islands is dense rain forest.

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     At lunch we noticed for the first time some food sculptures.  Always fun, we hadn’t seen these since the last time we were on Prinsendam in 2013.

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     During the afternoon HAL organized a group picture to commemorate Prinsendam’s final transit through the canal.  We were there, but finding us is a little like “Where’s Waldo,” only harder.  Can you find us?  Hint:  we are not far from the upper right corner of the swimming pool area.  Everybody received a complimentary copy of the photo.

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     The hardest part of digging the canal was cutting through the rocky continental divide.  This area is called the Culebra Cut, and it cost a number of lives to dynamite it away.  The sides are terraced in a number of places, partly to discourage erosion most likely, but also representing the levels where trucks were driven in to carry away the rock after it was blown up.  Erosion is a continuing problem here; we were told that they have planted grass imported from Vietnam that has particularly good root systems for stabilizing the hillsides. We passed under the Centennial Bridge & headed for the Pedro Miguel locks that begin the descent toward the Pacific Ocean.

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     As we approached Pedro Miguel a train passed on the left.  The train traverses Panama between the seas as well.  It was built to accommodate travelers heading from the Atlantic coast to the California Gold Rush. Even today some companies find it cheaper or easier to unload cargo onto the train and load it onto another ship when it reaches the opposite side.  The cost of sailing through the canal is substantial and based upon the size of the ship.  We have heard of large ships having to pay Well over a million dollars to cross, and it has to be a cash transaction.  A ship cannot enter the canal until the money has been transferred.

     At Pedro Miguel the ship throws a rope down to a couple of guys in a rowboat, who connect it to a rope from a mule that they have brought out with them.  On the other side the ship is close enough to throw the rope directly to the workers on the canal wall.  We were told that they tried some higher tech methods to attach the ropes but none of them worked as well as two guys in a rowboat.

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     Flags were at half mast because it was Martyrs’ Day, a national holiday honoring several students who were killed in a protest of American occupation of the Canal Zone some 50 years ago.  On the right we could see a Super Panamax ship traversing the new locks just opened a couple of years ago.  The new set of locks were built because the larger modern ships wouldn’t fit through the existing locks.

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     At the last set of locks, called Miraflores, is an observation building containing a museum.  It has several levels of viewing platforms where you can watch ships coming through the locks.  It is always crowded with onlookers waving and taking pictures of the ship.  This is quite a welcome and was rather a surprise the first time we came through here.  We also caught our first glimpse of the white towers of Panama city on the other side of the hills lining the canal.

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     We came out of the locks and sailed under the Pan American Bridge, part of the Pan American Highway that stretches from Alaska to Patagonia.  The container cranes of Balboa port are near the bridge.  We sailed out toward the Pacific Ocean, passing the brightly colored Biodiversity Museum, designed by American architect Frank Gehry about ten years ago.  We sailed around to our anchorage on the other side, where we had a full view of the startling expanse of white skyscrapers along the shoreline of Panama City.  If they were green you might think this was the Emerald City.

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     After dinner there was a performance of Colombian songs & dances by the Colombian ambassadors who had been on board since Ft Lauderdale.  It was a rousing show, with very professional dancers & an excellent singer.  Not all of the ambassador groups we have seen are such professional performers.

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      We ended the day with a view of Panama City at night.  This was a very full day & the canal is always interesting.  Of course, there was a towel animal.  And here is a picture of where we sleep (and where the towel animals appear each night).

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